Home cinema with an older AVR
Full 4K/HDR straight to the screen while your trusted receiver keeps doing the sound — via a downscaled HDMI feed or the optical/analog audio output. Atmos and DD+ included.
Keep your receiver →A 2-in / 2-out HDMI 2.0b Level A converter that passes true 4K60 4:4:4 600MHz 18Gbps signals, fixes HDCP errors between any HDCP 1.4/2.2 source and sink, and scales, splits or matrixes any SD/HD/FHD/UHD/HDR/Dolby Vision signal up to 600MHz.
Six independent HDCP 1.4/2.2 decrypt and encrypt engines let the Integral 2 connect any HDCP1.x or HDCP2.x source to any HDCP1.x or HDCP2.x sink, converting both directions on the fly.
100 preloaded EDID banks, an Automix mode that mixes both connected sinks’ real capabilities, and a per-input EDID assignment — controllable from the unit, USB, RS232, IR or the mobile app.
Full 18Gbps bandwidth pass-through, plus independent up/downscaling on each output so an older FHD display and a UHD display can share the same source at the same time.
De-embed HDMI audio to analog stereo or optical S/PDIF up to 5.1 from the combo 3.5mm jack, pass Atmos and DD+ through HDMI while downscaling video for an older AVR, and even forward TV ARC audio to the optical output.
Capture, edit, inject or block HDR metadata and infoframes in real time, sniff a TV's Dolby Vision string so DV survives an AVR in the chain, or disable HDR entirely for projectors that prefer their own gamma.
Whatever your HDMI chain looks like, chances are the Integral 2 was bought a thousand times for exactly that reason. These are the setups it solves every day — collected from the owner communities, our own customers and the official documentation:
Full 4K/HDR straight to the screen while your trusted receiver keeps doing the sound — via a downscaled HDMI feed or the optical/analog audio output. Atmos and DD+ included.
Keep your receiver →“This TV does not support HDCP 2.2” — never again. Six decrypt/encrypt engines connect any protected source to any display, both directions, on both outputs at once.
Fix the black screen →A 4K HDR TV for every day, a 1080p projector for movie night — both fed at their own maximum, simultaneously, without swapping a single cable.
See how scaling works →Disable HDR for your own gamma curves, inject custom HDR metadata, or run the JVC macros built into the GUI — the projector crowd’s favourite toolbox.
Tame HDR →Movie in full 4K HDR on the main output, a downscaled feed for your Hyperion/Ambilight grabber on the second — there is even a dedicated scaling preset for it.
Light up the wall →Play at full quality while the second output feeds your capture card for recording or streaming your own gameplay — at the same time, without switching anything.
Console setups →A source that refuses HDR, picks stereo instead of 5.1 or drops to 1080p? 100 preloaded EDID tables, Automix and per-input EDID end the negotiation lottery.
Force the right format →Analog stereo, optical 5.1, TV-app sound via ARC into an older receiver — all from one D/A jack, with volume, bass and treble adjustable from the app.
Route your audio →Sniff and store your TV’s Dolby Vision string so DV survives an AVR in the chain, or use the ready-made LLDV tables for displays that are not DV-certified.
Keep DV alive →RS232 and IP control, a public API/DLL, Logitech Harmony IR codes and a commercial Control4 driver — ready for racks, retail and conference rooms.
Integrate it →A console and a streaming box feeding a TV and a projector, freely crossed — each pair with its own scaling and HDCP handling, up to 4K60 4:4:4 on both.
See the matrix modes →AUTO SWITCH jumps to the active input the moment the current one goes quiet; FORCED priority switches as soon as a new source powers on. Set it once, forget the remote.
How switching works →As an active repeater mid-run it recovers the signal: 1080p up to 15m in plus 15m out, UHD up to 10m — and the official FAQ documents 50-foot-plus runs.
Rescue a long run →Live resolution, refresh rate, colour space, bandwidth, HDCP and audio per port on the OSD, in the GUI and in the app — plus HDR/AVI/VSI/DV infoframe capture in readable form.
Read your chain →Hot-plug control keeps the source seeing an active connection, so a display powering off no longer triggers a resolution reshuffle — and HTPC mode stops Windows rearranging icons.
Keep sources stable →Inject custom AVI/VSI strings to activate BT.2020, force RGB, or send self-built HDR metadata with chosen MaxCLL/MaxFALL values — persistent across power cycles.
Take over the infoframes →The OSD mask covers burn-in-prone areas like TV channel logos, with adjustable position and transparency — plus a custom on-screen text for bars, shops or rental systems.
Use the OSD mask →Mute the audio on one output while the AVR on the other keeps full sound, and feed a second room, active speakers or a headphone amp from the analog jack with its own volume control.
Split your sound →One drop-in unit with more inputs, outputs and control options than the Integral, AVR-Key or Linker it replaces — existing rack designs keep working.
Compare the family →Officially 3D ready: passes 3D stereoscopic formats, and the 3D Remove EDID flag decides whether sources see a 3D-capable display — handy when only one connected screen does 3D.
Keep 3D running →Community findings above come from the AVS Forum owners thread, AVForums, the Hyperion ambient-light community and the Control4 driver listing — reported as user experiences. Every product claim is verified against the official manual (Rev 2.33). And to be just as honest the other way: one modern source, one modern display, everything working? Then you genuinely do not need an Integral 2.
The Integral 2 sits between your sources (players, consoles, receivers) and your displays and solves the handshake problems that HDMI 2.0/HDCP 2.2 setups run into. It supports true full 4K60 4:4:4 600MHz 18Gbps signals, splits or matrixes any SD/HD/FHD/UHD/HDR/Dolby Vision or PC signal up to 600MHz, scales up or down between FHD and UHD on each output individually, displays live signal information on screen, and switches between 100 preloaded EDID banks. Control is available via IR, the slide switches and push buttons on the unit, a wired USB connection to a Windows PC, RS232 (Mac/Windows/Linux), or Bluetooth from a smartphone or tablet running Android or iOS (the GoBlue dongle is required for the mobile app).
Source: official HDfury Integral 2 user manual (Rev 2.33). See the full specifications.
2x HDMI in and 2x HDMI out cover splitting, matrixing and scaling in one unit. RS232 and USB give full computer control for Mac, Windows and Linux; IR and Bluetooth (with the optional GoBlue dongle) cover remote and mobile app control. A single combo 3.5mm jack de-embeds audio to analog stereo or optical S/PDIF up to 5.1.
See the full I/O specification →The complete user manual as readable web chapters with a table of contents — plus the original PDF to download.
Read the manual →Firmware, Windows GUI, drivers, the manual PDF and the EDID collection, with the full official release notes.
Go to downloads →Numbered fixes for HDCP errors, no signal, and EDID problems, with the exact menu paths from the manual.
Fix a problem →Straight answers on cable length, latency, power supply and lossless audio, quoted from the manual.
Read the FAQ →Order directly from HDfury Europe, official HDfury distributor for Europe:
Buy the HDfury Integral 2 at HDfury.eu